Alan Lightman has explored the mysteries of both science and spirit in his fiction, taking readers from Einstein’s alternate worlds (Einstein’s Dreams) to a ghostly encounter in a mortuary (Ghost). In Screening Room (due from Pantheon in early 2011), Lightman will venture into his own childhood memories of Memphis during the tumultuous 1950s and 60s: “This book is about Memphis and the South in the 1950s and 1960s; my family and the family movie business; the music, food, and culture of Memphis; racism in Memphis and the South; Boss Crump, Elvis, Martin Luther King, etc.,” he writes. In this excerpt, the opening chapter of the fictionalized memoir, he provides a glimpse—though a child’s innocent eyes—of the old social order of a city poised on the brink of change.
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Alan Lightman recalls the Memphis Cotton Carnival of 1955
